Showing posts with label Felicia Miller. Show all posts
Showing posts with label Felicia Miller. Show all posts

Felicia Miller 1952 -2010

For three weeks

the cool moon
bound by occult cords
moves through the houses
of memory and sleep
distills night in a bowl

But on the night of the full moon
what is mirrored
in a still pool?


Felicia Miller (1972)

A friend I reconnected with several years ago, Felicia, a friend I knew more than 30 years before in the Halcyon days of Berkeley, when we were both very fortunate to be young in that creative ferment of place and time, a friend whose poetry travelled with me, like the paintings I did of her so long ago, down and up the road, companions..........passed away a few days ago after a long struggle with cancer.

When I saw Felicia in D.C. this past fall, she was very thin, very tired, but still generous with her time and thought. I remember pulling out one of her poems, and reading it to her and her friend. She said she hated it. I felt sad to think that all these years I've cherished work she abandoned, disavowed, long ago. Still, I think it was important that I read the poem, remind her perhaps of that work, that self............I don't know.

Brilliant, mystical Felicia was entirely a creature of water. Our meetings always seemed to occur by oceans, whether at a 1975 Rhododendron Festival near Mendocino, or in 2008 at a cafe near the famous surfers beach in Rincon, Puerto Rico . I remember her best on the streets of Berkeley, with her ubiquitous necklace of sea shells, telling us stories from her treasured, antique book about the Undines , the people who lived beneath the waters of the Danube. I've always secretly felt that Felicia was really a mermaid herself, one who left her element to walk on the land for a while, perhaps, never entirely comfortable away from her true home.

I painted Felicia several times, once as "The High Priestess" in 1975. By a strange and lovely synchronicity, I heard, just a few weeks before her death, from a long ago friend, Richard Meyer, who I also painted as a Tarot archetype at that time - Richard became "The Magician". When I told him about Felicia, he called her also, after 35 years.

El Rio Abajo,

The River Beneath the River of the World.

http://www.auburn.edu/projects/sustainability/newsletter/water.jpg

The River we all hear, some more than others. Felicia, I'll miss you. Swim free and wild, now.
We love you.


The green plants

magically

from water air

the soil

from water earth

air

earth water

air light

earth and sunlight

sunlight

vibrating waves

shimmering

grasses in the sun


Felicia Miller (1970)

Someone was the Sun
calling from across
the little island fields

we turned and took the last
glimpse of the closing lid

"Let's go, shall we?"

I could not answer,
but only followed after
just some one's glance

along the rock path.



Felicia Miller (1971)


Did I see you?
feel your smile
as you
fell?

People cross bridges
cars pass under them
or water
you waited
then jumped

(it must have happened quickly)

but what was it that rose in you

like a slow Phoenix
new wings

outstretched?

Felicia Miller (1971)


water.jpg

"Then in the half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River. Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of those rocks are timeless raindrops.

Under the rocks are the words, and some of the words are theirs.
I am haunted by waters. "


Norman McClean
"A River Runs Through It"

A House of Doors ~ open poems~




The deep parts of my life pour onward,
as if the river shores were opening out.
It seems as if things are more like me now,
that I can see farther into paintings,
I feel closer to what language can't reach.

Rainer Maria Rilke

I feel enormously grateful (and delighted) to have finished (and self-published with blurb.com) my 5th book, A HOUSE OF DOORS - a collection of poems that span over 30 years. (It costs $17.00 to $35.00 - I don't recommend the paperback edition, the hard cover is much better.)

Most of these poems are mine, but also included are "found poems", the collection of poetry by Joanna Brouk and Felicia Miller, with the illustrations I did for them back in the early '70's when we were young artists in Berkeley.

I have never been a prolific poet by any means...........I am well and truly a visual person first and foremost in my communicating and thinking processes. All of the poetry I feel was worth sharing I put into this little book,
and I'm well pleased, as I was to finally complete the MASKS OF THE GODDESS book. Honoring the Past, the Muse, the Friends, the Communities, Myself, and the Divine is what this 6 month writing project has been about, and with this book, I feel free to move on and give my attention to new projects. I can't wait to paint again..............





















FOR THREE WEEKS

the cool moon
bound by occult cords
moves
through the houses
of memory and sleep

distills night in a bowl

But on the night of the full moon
what is mirrored

in a still pool?


Felicia Miller (1972)




















AMAZONS IV.

At the river's edge
I laid my armor down
laid down my sword and bow

untied my hair

this I did for you

I approached you
lying in the grass
at the river's edge

your body brown,
and graceful as a tree

unshod
you waited for me
I approached you

with desire

O my enemy

Lauren Raine (1975)



(As a footnote, because I published those poems on my website in 2006, Felicia found me on the Web, which resulted in us corresponding, and my finally going to Puerto Rico this August to meet her in person again. She's still a mermaid spinning stories about Undine, still the soul I remember well, still beautiful.)